Event Horizon is a 1997 film directed by Paul W. S. Anderson and written by Philip Eisner. It stars Laurence Fishburne, Sam Neill, Kathleen Quinlan and Joely Richardson. The film is set in 2047, when a rescue crew is sent to investigate a missing spaceship, the Event Horizon, that reappears in orbit around Neptune. The crew soon discovers that the ship has been to a hellish dimension and brought back something evil with it.
The film is a blend of science fiction and horror, with influences from Alien, The Shining, Hellraiser and The Exorcist. The film explores themes such as the nature of evil, the limits of human endurance, and the consequences of tampering with the unknown. The film also features a unique design for the Event Horizon's gravity drive, which creates a portal to another dimension by folding space-time.
Event Horizon was a commercial and critical failure when it was released in 1997, but it has since gained a cult following among fans of sci-fi horror. The film is praised for its atmosphere, visuals, sound effects and score by Michael Kamen. The film is also notorious for its graphic violence and gore, which were heavily edited by the studio to secure an R rating. The original cut of the film was 130 minutes long, but it was reduced to 96 minutes by Paramount. The director has expressed his dissatisfaction with the final version, and has hoped to restore the deleted footage someday.
Event Horizon is a film that deserves to be seen by fans of sci-fi horror, as it offers a thrilling and terrifying ride into the unknown. The film is not for the faint of heart, but for those who enjoy a good scare and a mind-bending plot. Event Horizon is a sci-fi horror classic that will haunt you long after you watch it.
One of the most interesting aspects of Event Horizon is the production design, which was inspired by various sources, such as Gothic architecture, industrial machinery, and human anatomy. The Event Horizon's interior was designed to resemble a haunted house, with dark corridors, twisted metal, and organic shapes. The gravity drive was modeled after a cathedral, with stained glass windows and a cruciform shape. The ship also had elements that suggested a living organism, such as veins, ribs, and a heart. The production designer, Joseph Bennett, said that he wanted to create a contrast between the sleek and futuristic Lewis and Clark, and the decayed and demonic Event Horizon.
The film also had a challenging shooting schedule, which lasted for 85 days in London. The director, Paul W. S. Anderson, said that he had to shoot up to six pages of script per day, which was very demanding for a film of this scale and complexity. The film also required extensive special effects, both practical and digital. The film used miniatures, models, animatronics, pyrotechnics, and wire work to create the illusion of zero gravity and the ship's destruction. The film also used computer-generated imagery (CGI) to create the black hole, the portal, and some of the gore effects.
Another notable aspect of Event Horizon is the soundtrack, which was composed by Michael Kamen. Kamen was known for his work on action films such as Die Hard, Lethal Weapon, and Robin Hood: Prince of Thieves. However, for Event Horizon, he created a more atmospheric and experimental score, using electronic sounds, orchestral instruments, and choirs. Kamen said that he wanted to create a musical language that reflected the film's themes of madness and hell. He also collaborated with the British band Orbital, who provided some of the techno tracks for the film. a474f39169